The Ambivalent Portrait – Locating Resistance And Compliance In The Moment Of Selfie Production, Part 2 (Harold Dalton)
The following is the second of a two-part series. The first can be found here. In the reaction to the photographs of Innes and Kardashian, both of which fit only tangentially within the boundaries of selfie, the meaning of “selfie” overruled and defined the means of production by which the…