About editors

Articles created by editors

April 17, 2019
0

Images Of Place And Territory In Contemporary Israeli-Jew And Palestinian Art, Part 1 (Yael Guilat)

The following article is published in two installments. Images of maps have been a prevalent motif throughout the history of art, from the 6th- century Madaba Map in Jordan, through Navajo sand maps in North America, to the work of 16th and 17th century artists such as Johannes Vermeer, Hans…

April 9, 2019
0

James Bond And Jack Sparrow – Literary Archetypes Of Contrasting Economic Eras (Marianne Kimura)

Commander James Bond and Captain Jack Sparrow. Both are British. Both are fictional characters. Both are heroes. Both are clever. Both appeal to the opposite sex. Both are good-looking, quick with comebacks, original in their approaches to adversity, and adroit with weapons. Both are seemingly mesmerizing to movie audiences and…

April 2, 2019
0

“Metasonics” – The Silent Space Of The Vacuum (Jonathan P. Morgan)

Many kinds of structures seem ubiquitous and essential for the kind of meaning humanity concerns itself with. The anthropologist Claude Lévi-Strauss’ early work on myth and kinship are two significant examples with the influence of each visible in much of our daily existence. Still, we must ask, can structures of…

March 15, 2019
0

The Equisapien Encounter – Reading Enrique Dussel In Boots Riley’s “Sorry to Bother You” (Conor Ramón Rasmusen)

The following is republished from The New Polis, January 30, 2019. When Boots Riley’s film Sorry To Bother You burst into U.S. theatres this past July, reviewers exclaimed that it was “going off the rails” and “crazy” but was absolutely adored by its viewers. While Riley’s film is both deeply conceptual and simultaneously materially critical of…

February 19, 2019
0

Minority Representation In Mainstream Art Museums, Part 3 (Heather Stivison)

The following is the third and last installment of a three-part series.  The first can be found here, the second here. In recent years, New Zealand museums have risen to the challenge of presenting Native arts in ways that are respectful of spiritual beliefs. One example, given by Andromache Gazi,…

February 7, 2019
0

Minority Representation In Mainstream Art Museums, Part 2 (Heather Stivison)

The following is the second of a three-part series.  The first can be found here. Cultural Perspectives & Inequities The history of colonialism in the English-speaking world is such that, to this day, the white majority culture dominates that of indigenous peoples. Australia, Canada, New Zealand, and the United States…

January 29, 2019
0

Minority Representation In Mainstream Art Museums, Part 1 (Heather Stivison)

The following is the first of a three-part series. The project on which this essay is based focused on art museums within the English-speaking world and their evolving relationship with the art of African Americans and Native peoples. As a direct result of colonialism, the English-speaking world long held that…

December 30, 2018
0

Ambient Rhetoric And Graphic Novels (Sergio C. Figueiredo)

In the fall of 2015 I taught a Literary Genre course Kennesaw State University in Georgia on the Graphic Novel (ENGL 3230 Syllabus).  I taught it from the perspective of rhetorical genres as described by Carolyn Miller in “Genre as Social Action.” the features of which are as follows: Genre…

October 10, 2018
0

Cyberculture And The New Digital (“Xperimental”) Poetics – An Interview With Daniel Y. Harris And Irene Koronas (Esthesis Editors)

“What has Athens to do with Jerusalem?” the ancient Christian thinker Tertullian pointedly asked in highlighting the apparent incommensurability between the two dominant discourses of his day – philosophy and religious revelation. Daniel Y. Harris Today, considering the disconsolation of the arts and humanities amidst the digitization of all life…

April 26, 2018
0

Gender And Sexuality In The Animated Films Of Walt Disney and Hayao Miyazaki, Part 2 (Hiroko Miyashita)

The following is the second of a three-part series.  The first installment can be found here. In general, as Laura Mulvey argues, female characters in past, traditional stories were portrayed as quiet and weak. At that time, women were not considered as important as men in society, therefore the stories…